Ralph Vaughan Williams’ The Lark Ascending

By: Quinn Riley

360 words
2–3 minutes

The year was 1914 and King George V had just announced The United Kingdom’s entrance into WWI. It was at this time, on August 4th, that English composer Ralph Vaughan Williams was on holiday at the seaside town of Margate in Kent, where he strolled along the cliffs near the English Channel to gaze at the skylarks there. Vaughan Williams had read English novelist and poet George Meredith’s 1881 poem The Lark Ascending, depicting the skylark’s soaring flight and joyful song, and wanted to write a piece incorporating its inspiring prose.

As he walked along the cliffs, with ships engaged in fleet exercises below him, Vaughan William began to compose a melody in his head, and sketched out in a notebook the beginnings of a romance for violin and piano honoring the skylark, as written about in Meredith’s poem.

Unbeknownst to the composer, he was being watched by a small boy who thought Vaughan Williams was a German spy, utilizing a secret code to write about the goings on with the fleet, while mapping the coastline. The boy notified the authorities about his suspicions, and the composer was quickly taken into custody, and just as quickly released, when they learned who he was and that the “secret code” was in fact musical notes.

Ralph Vaughan Willams completed his romance for violin and piano, naming it after the poem. Then, despite his age of forty-one, he volunteered for military service by joining the Royal Army Medical Corps as a stretcher bearer. Finally, in 1920, Vaughan Williams’ musical interpretation of The Lark Ascending received its premier, and the next year he reworked it for solo violin and orchestra, including some of the lines from Meredith’s poem at the top of the score:

For singing till his heaven fills,

‘Tis love of earth that he instils,

And ever winging up and up,

Our valley is his golden cup

And he the wine which overflows

to lift us with him as he goes…

Today, one hundred and twenty-five years later, Ralph Vaughan Williams’ beautiful musical recreation of The Lark Ascending for solo violin and orchestra continues to move and delight audiences around the world.

Similar Posts

  • Grażyna Bacewicz: Form and Fire

    By: Pam DeVier For me, the work of composing is like sculpting a stone, not like transmitting the sounds of imagination or inspiration. Grażyna Bacewicz, October 23, 1958 A virtuoso violinist, pianist, and prolific composer, Grażyna Bacewicz (pronounced grah-ZHEE-nah  baht-SEH-vich) rejected the romanticized idea of the composer as a passive conduit. A student of both…

  • Melba Liston

    By: Jeff Peckham Melba Liston (1926–1999) was a titan of jazz whose contributions as a trombonist, composer, and arranger fundamentally reshaped the sound of the big band era and beyond. As the first woman to hold a chair in several of the world’s most prestigious jazz orchestras, she broke formidable gender and racial barriers, proving…

  • A Mozart Birthday Serenade

    By: Pam DeVier January 1776. Mozart turns 20 years old on the 27th and composes his Serenade No. 6 in D major, K. 239, better known as his Serenata notturna, a redundant title scribbled on the original manuscript in his father’s hand. While the United States was on the brink of declaring its independence, Mozart was…

  • The Village Vanguard

    By: Jeff Peckham The Village Vanguard, a venerable institution nestled in the basement of 178 Seventh Avenue South in New York City’s Greenwich Village, stands as a living testament to the evolution and enduring spirit of American music, particularly jazz. Opened in 1935 by Max Gordon, the club initially showcased a diverse range of acts,…

  • Stravinsky and Neoclassicism

    By: JJ Sechan From Impressionist works to Tone Poems and Serial pieces, there are a lot of nitpicky words used to describe classical music, and today we dive into the nitpicky-est one, Neoclassicism. As with many 20th century musical innovations, we have Igor Stravinsky to thank for this multi-syllabic monstrosity. After attaining celebrity status with the…

  • As the Seasons Change

    By: JJ Sechan Have you ever listened to a piece of music that struck you as so off-putting that you had to leave the room, or worse, so overstimulating that you were ready to scream? You wouldn’t be alone! As Parisian audiences flooded into the Théâtre des Champs-Élysées on May 29, 1913, to hear Stravinsky’s…

Leave a Reply

Your email address will not be published. Required fields are marked *